Tuesday, May 13, 2014

Month of May - Sweet and Mild




















The month of May is sweet and mild with soft green hills and light green leaves,
sparkling yellow in the sunlight.



















"Bright coinage by the generous sun
Down flung and scattered one by one..."

says a poem by Andrew Downing.¨¨






























Horse and cattle are out in the fields again, enjoying the good weather I suppose. They almost alway join each other in a flock -  they are social  animals. I feel so sorry for a lonely horse in a field.

These horses are grazing in a beautiful place. I wonder if they do observe that?
















Three photos from Nationalpark Mols Bjerge




















Just take a look at this lovely thick wool of the Galloway cow.


The Galloway cattle is grazing the area of the Molslaboratoriet, owned by Naturhistorisk Museum in Aarhus and a part of the Nationalpark Mols Bjerge.


















A sweet little Galloway calf. The Galloway cattle is very peaceful and calm, in fact reserved, they are not interested in us humans, no matter how much we want to "talk with them" - which might be a good thing! They are not curious, they keep away from us, which might prevent some bad experiences,  when we are walking in their fields.



So sweet. What fine eyelashes!











































Den italienske sti (The Italian path). Each year I long for a walk along this path, it's a place with lots of plants and animal life, especially many butterflies in summer, but today is still too early. BUT it is a lovely spring day, and the sun is warming my old wintercold bones!






A brimstone in a dandelion










































Have you walked beneath the blossoms in the spring?
In the spring
Beneath the apple blossoms in the spring
When the pink cascades are falling
And the silver brooklets brawling
And the cuckoo bird is calling
In the spring

from poem by William Wilsey Martin.




























Walking along the Italian Path gives me the feeling that I want this moment to last.....



















.....but we drive on and down to the beach  - and we pass one of the pretty buildings, belonging to the Mols Laboratory.





















Down by the beach and the clouds and the blue, blue sea........


















This cloud is either a duck or a dachshound being chased by a big fish!





A white wagtail playing by the beach...















Genista anglica ( Engelsk Visse) here growing by the coast of East Jutland, common in Mid- and West Jutland (in Denmark).

English names are petty whin, needle furze, needle whin. It is a shrubby flowering plant of the family Fabacea, which can be found growing in Cornwall, Wales and eastern Scotland.





























Goodbye to Mols Bjerge and The Italian Path and the Galloway calf for this time..............



photo Mols/Strandkær 10 May 2014: grethe bachmann 











Thursday, May 08, 2014

The Silhouette came from France........




Just one camera-snap today -  and you've got a lifelike portrait of a person. It is difficult to understand how complicated and costy it was to be portrayed just 300 years ago. When people died, their looks lived on only in the memory of family and friends.


In the middle of the 1700s a cheap and easy way to portray people was invented. It actually started in France as a social game. People were asked to stand with their side to a wall - and the light of an oil lamp cast a shadow of the profile upon a piece of paper upon the wall. The shadow was sketched quickly, and the paper was cut by the line. Now they had a lifelike portrait in profile of the person. It was common to colour the paper with black printing ink, so it looked like a shadow. The method never became popular in France however. It was considered as something for poor people only,  but a Frenchman did manage to give it a name.

France was on the edge of ruin from wars and extravagant consumption at the royal court. The Minister of Finance, Etienne de Silhouette had to put the State salaries heavily down,  which made him rather unpopular. He had many shadow-portraits in his home; people could see them through his windows from outside in the street - and everything trashy and poor were - because of his reductions -  by people designated  "a la Silhouette". The shadow portraits were called  "a la Silhouette" = poor man's pictures. And by the way these pictures were only known as silhouettes.





The silhouette came to honor and dignity in Germany, but people were admittedly a little tired of those large black shadow portraits, which might look a little brooding, filling an entire wall - and a method was invented to put them down in size. The large shadow portraits could be minimized by using a pantograf, a very simple drawing device. But to use a pantograf required some skill, and gradually arose some professional silhouette-makers who earned their living by travelling the country to do portraits of people.

But it was not just to get your portrait. A new dimension came - the silhouette became science. The Swiss priest Johan Caspar Lavater had discovered that you from the human profile could read his qualities, and he published a large four-volume work with engravings of silhouettes, where he made a diagnosis from each silhouette. He measured the height and the slope of the forehead , the lenght of the nose and the receding or protruding of the chin.  He was of the opinion that the forehead was the mirror of the sense, the nose expressed the moral value of the person, while the chin and the mouth showed the animal qualities.


Goethe
People from far and away joined his ideas. Kings, princes, scientists and artists sent silhouettes to him to get them deciphered, and the poet Goethe was one of his greatest admirers. He travelled with Lavater for several years, sketching and minimizing silhouettes and translating his works into English and French. He even took part in constructing a special suitable chair, where a silhouette had to be drawn. Goethe's own love of youth began with a silhouette, and this later became "The Sorrows of Young Werther".

After an embarassing detection of Lavater the great interest and the belief in his ideas declined. But the silhouette itself had become a precise portrait for little money.








Jane Austen
a young Beethoven
The silhouette-portraits came to Denmark. In the beginning some German silhouette-makers went north, but gradually Danish silhouette makers could do the silhouettes just as well, and about the year 1800 this way of making a picture was spread all over the country. Commonly the silhouette maker offered a large number, like 10 silhouettes, at a discounted price. When people wrote a letter, they could put a portrait of themselves in it - and in this way the silhouettes were spread all over the country and across the borders. In family books from that time are portraits of the great personalities of Europe. Many collected them, especially silhouettes of Goethe and his circle were popular.



The travelling silhouette-makers were creative when they came to a manor. They proposed to cut not only the family members, but also put all the silhouettes together in one big composition for a family portrait in natural environment. It might be the manor garden with a famous building from the area in the background - or a family pose in the finest room.  The silhouette maker took his time while he resided at the manor - his work on the family picture might go on for weeks.

There was a certain prestige in owning one of those big family portraits. Both the rich bourgeoisie and the aristocracy and even the royal family had those shadow portraits on their walls.

A special artistic and costy kind of silhouette developed gradually: the hinter-glass paintings, where the picture was painted on the back of the glass. The silhouette maker first painted the black silhouettes - and then he added the background.



In the late 1830s this all ended, when the photography arrived. The silhouette turned hopelessly oldfashinoned. This lasted for 40 years, but then some very good silhouette makers cut free hand silhouettes without drawing the shadow picture -  and people saw that the silhouette was not just a primitive form of portraying but an independent art form. The history of the silhouette had more nuances than expected.



H.C. Andersen The shepherdess and the chimney sweeper.   






Source: archaeological magazine SKALK 3/2007, Jørgen Duus
silhouette-copies from wikipedia.

Wednesday, April 30, 2014

Dyer's Woad/ Farvevajd

Isatis tinctoria

Flora and Fauna


seeds from woad (wikipedia)
Woad/Farve-vajd (Isatis tinctoria) is a biennial plant of the cruciferous family . It grows wild in beach banks in the southeastern parts of Denmark. It was earlier cultivated and from here it went feral in nature. It is commonly called Farvevajd (Dyer's Woad) and is occasionally known as Asp of Jerusalem.

Woad is also the name of a blue dye produced from the leaves of the plant.

Woad is found along the coasts of the Baltic, in Central and Eastern Europe and in Central Asia.  In Denmark it was long known in Bornholm but the spread has expanded since 1960 and also includes the eastern coast of Sjælland (Zealand) and the coast of Amager, with some occurence at the coast of Storebælt.


Woad in Denmark:

Woad in the first year. (wikipedia)

Woad/ Farvevajd was used for dyeing fabrics blue in the North. The cultivation of woad stopped in Denmark ab. 1800 due to the import of indigo. Woad contains a lightfast and colourfast dye.

In the first year the woad forms a 20 cm high rosette of green leaves - if a leaf is crushed with the fingers they turn blue. The leaves from the first year are used for the dye  The colour is extracted by letting the leaves ferment in urin for ab. 5 days. In the second year the plant puts an inflorescence with yellow flowers in June, then puts seeds and wither. Today the colour from both woad and indigo are virtually outcompeted by the anilin colours.

The name vajd (1672) (weid) comes from old German weit, common German waida. It is possibly familiar to Latin vitum = glass. It was in 1670 also called glass herb, maybe because of the old name glastum.

The seeds of farvevajd was found in a house from before Roman Iron Age (400 BC)  in Ginnerup in Thy (Jutland); the plant was cultivated in Jutland in Roman Iron Age (1-200 AC). At that time no other lightfast and colourfast dye was known, until indigo ab. 1600 became a commodity in Europe. In 1792 woad plantations are mentioned at Copenhagen, outside Nørreport, where Holmblad and Son (dyers at the royal textile factory) cultivated both woad and krap (madder).

The woad was distinguished after sowing seasons, either winter- or summer woad . The leaves were cut when they were yellow headed, this could be done twice or three times during summer. After being washed the leaves were laid out to wither, and then  they were crushed with a stone on special mills or in an oblong curved trough. From the lot were formed little lumps, which after being air-dried were sold as "vejd" or "pastel"  and were used for dyeing without or with indigo. i

The plant could also dye a yellow-brown colour, and an oil could be pressed from the seeds. In ab. 1805 the woad-cultivation in Denmark had almost stopped as a result from the import of indigo. Still in 1900 woad was used for dyeing in Denmark, but the material was imported from France. In France and Germany the plant is still used for cultivation.   

In an old folk song about the knight Ramund is referred to blue yarn, which means clothes dyed by woad.

The main biotope of woad is a stony, gravelled soil along the coasts, often where is brought extra nutrients from rottening seaweed, but the plant is seldom found at the edge of roads, ruderates etc. It is possibly still cultivated as a decorative plant. It is not certain if the plant originally was spread feral from cultivation, or if the appearance at the Baltic coast is a Late Glacial relict. It is often found at the coasts of Bornholm and Sjælland, esp. East Sjælland (Zealand), where it is rare, but might be frequent in local places. It is undoubtedly under spread. In the other Danish districts is woad still very rare.


European History of Woad (from wikipedia)
Dyer's Woad/ Farvevajd  (wikipedia)

















Woad was long important as a source of blue dye, it has been cultivated throughout Europe, especially in Western and southern Europe since ancient times. In medieval times there were important woad growing regions in England, Germany and France, and towns such as Toulouse became prosperous on the woad trade. Woad was eventually replaced by the stronger indigo and then by synthetic indigoes.

The first archaeological finds of woad seeds date to the Neolithic and have been found in the French cave of l'Audoste, Bouches-du Rhone, France.  Named Färberwaid (Isatis tinctoria L.) or German Indigo, of the plant family (Brassicaceae), in the Iron Age settlement of the Heuneburg, Germany, impressions of the seeds have been found on pottery. The Hallstatt burials of Hochdorf and Hohmichele contained textiles dyed with Färberwaid (woad dye).

Historians Melo and Rondão write that woad was known "as far back as the time of the ancient Egyptians, who used it to dye the cloth wrappings applied for the mummies."  One of the early dyes discovered by the ancient Egyptians was "blue woad (Isatis tinctoria)." Lucas writes, "What has been assumed to have been Indian Indigo on ancient Egyptian fabrics may have been woad." Hall states that the ancient Egyptians created their blue dye "by using indigotin, otherwise known as woad." Julius Caesar tells us (in de Bello Gallico) that the Britanni used to colour their bodies blue with vitrum, a word that roughly translates to "glass". Many have assumed that vitrum refers to woad, but other modern authors regard this as a misconception, possibly repeated for political reasons; Caesar may also have described some form of copper- or iron-based pigment. The northern inhabitants of Britain came to be known as picts (Picti), which means "painted ones" in Latin, and may have been due to these accounts of them painting or tattooing their bodies.

Woad was one of the three staples of the European dyeing industry, along with weld (yellow) and madder (red).  Chaucer mentions their use by the dyer ("litestere") in his poem The Former Age, among other cultural inventions that were previously absent
No mader, welde, or wood no litestere.
Ne knew; the flees was of his former hewe
Hunt of the Unicorn tapestry (wikipedia)
The three can be seen together in tapestries such as the Hunt of the Unicorn (1495–1505), though typically it is the dark blue of the woad that has lasted best The Hunt of the Unicorn tapestry, dyed with weld (yellow), madder (red) and woad (blue). 













Jean de Bernuy's house in Toulouse.
In Viking Age levels at archaeological digs at York, a dye shop with remains of both woad and madder  dating from the 10th century has been excavated. In medieval times, centres of woad cultivation lay in Lincolnshire and Somerset in England, Jülich and Erfurt area in Thuringia in Germany, Piedmont and Tuscany in Italy, and Gascogne, Normandy, the Somme Basin from Amiens to Saint Quentin, Britany and above all Languedoc in France. This last region, in the triangle created by Toulouse, Albi, and Carcassonne, was for a long time the most productive of woad, or "pastel" as it was known there, one writer commenting that "woad... hath made that country the happiest and richest in Europe." The prosperous woad merchants of Toulouse displayed their affluence in splendid mansions, many of which are still standing. One merchant, Jean de Bernuy, a Spanish Jew who had fled the inquisition, was credit-worthy enough to be the main guarantor of the ransomed King Francis I after his capture at the Battle of Pavia by Charles V of Spain. Much of the woad produced here was used for the cloth industry in southern France, but it was also exported via Bayonne, Narbonne and Bordeaux to Flanders, the Low Countries, Italy, and above all Britain and Spain.



A major market for woad was at Görlitz in Silesia. The citizens of the five Thuringian Färberwaid (dye woad) towns of Erfurt, Gotha, Tennstedt, Arnstadt and Langensalza had their own charters. In Erfurt, the woad-traders gave the funds to found the University of Erfurt.. Traditional fabric is still printed with woad in Thuringia, Saxony and Lusatia today: it is known as Blaudruck (literally, "blue print(ing)").

woad mill in Thuringia (wikipedia)
Other use: 
Medieval uses of the dye were not limited to textiles. For example, the illustrator of the Lindisfarne Gospels used a woad-based pigment for blue paint. A method for producing indigo dye from woad is described in the book The History of Woad and the Medieval Woad Vat (1998) In Germany, there are attempts to use woad to protect wood against decay without dangerous chemicals. Production is also increasing again in the UK for use in inks, particularly for inkjet printers, and dyes, as woad is biodegradable and safe in the environment, unlike many synthetic inks. The plant's presence has its problems, however, since Isatis tinctoria is viewed as an invasive species in parts of the United States.

Indigowoad Root  is a traditional Chinese medicine herb that comes from the roots of woad.







Source. Brøndegaard, folk og flora 2, Danmarks natur, Felthåndbogen, wikipedia. 
photo: borrowed from wikipedia.

Thursday, March 06, 2014

The Vikingship Museum, Roskilde after the Storm.



gb: Vikingship Museum, boatyard 2001


















Video:

Vikingship Museum Roskilde storm december 2013


 The Vikingship Museum in Roskilde was in danger of being flooded during the storm in December 2013. The violent storm pressed the waters of Roskilde Fjord up to a dangerous level and the water was 2.06 meter above normal when it was at its highest. The police in Mid- and West Zealand, the Emergency Agency, the Home Guard and the Fire department were all fighting a battle against the clock to save this national treasure from a devastating flood.

Also the Museum staff had a long and dramatic night. The water stood up to the edge of the large window facades of the ship building, and they were also worried if something, floating in the water outside, would crush the windows and make the water enter the buildings with the irreplaceable 1000 years old Viking ships. They said afterwards that the sound of the waves against  the building was frightening. The Emergency and the Fire Department had helped securing the window facades against the water pressure and the Museum staff was especially fighting to keep water away from the Viking ships. Fortunately the ships were not damaged, they were being packed in plastic, and the water was pumped out of the buildings.

But the Museum Island with the café, the education center and the boatyard was massive damaged by the flood.

The Vikingship hall was damaged by the waves, seven windows were crushed and the concrete structure was pressed in several places, causing cracks. On the Museum Island the water stood high and floors,walls and installations were badly damaged. In spite of the massive damage the Vikingship Museum did not close to the public, and it is expected that the buildings of the Museum Island are ready for the summer season from 16 May.
Source: DR.dk, Vikingeskibsmuseet Roskilde.



Wednesday, March 05, 2014


To a visitor:
You have asked for Elmelunde kirke, which you cannot find here at Thyra,
but please look at my block: Church and Manor.

Sunday, March 02, 2014

Whooper Swans singing a Swan Song in March






I don't think I have seen so many swans in one flock before. I guess there were about 500, it is common that they gather in large flocks of 500-1000 swans in winter. They were singing their special song,and  they were really singing loudly  - as if they were all joining the Pilgrims Chorus from Tannhäuser.  Suddenly they got agitated over something and their voices rose to inferno and chaos. I'm not sure the farmer-family on the other side of the road has a good night's sleep if the swans stay there for some days, singing  their swan song each night !!

But they are beautiful birds, and it was a great experience to watch such a big flock. Soon they will fly eastwards to their breeding places in Scandinavia and Russia, some of them will fly all the way to Sibiria and to the Pacific coast. It is so amazing.   

I did not use a wide angle lens - I did not have space enough for a photo of the whole flock, which spread over a large area.

 

 














The Whooper Swan (Source: DOF, Dansk Ornitologisk forening, Fugle og Natur) 
The whooper swan is of same size as the mute swan, but easy to recognize with its yellow beak, which has no black knot like the mute swan. It keeps its neck more straight and higher than the mute swan, and it has a strong and very sonorous voice, sounding almost like a trumpeting - contrarily to the mute swan, which usually is silent, except from the rhytmic singing sound from the wings during flight. 

The whooper swan is a common guest in Denmark in the winter season and is often seen in large flocks in fields or in the the outskirts of flocks of mute swans in lowwatered areas.

The whooper swan breeds in forest moors and lowwatered lakes in a large nothern region from Iceland, Norway, Sweden, Finland and in a broad belt in Russia and Sibiria till the Pacific coast. The whooper swan has expanded with breeding pairs south to Skåne and also eastern Germany. In Denmark a single pair has tried to breed in North Jutland. In 2007 three breeding pairs were registered in Denmark, two pairs in  West Himmerland in some small moors, and one pair in Bølling Sø (lake) at Silkeborg. One pair in Himmerland had eight chicks.

Denmark is together with Germany the most important overwintering area for the whooper swan in Europe. It also overwinters in large numbers in Great Britain and Ireland, but is seen in most European countries in the winter season, except in Spain, Portugal and Italy. The whooper swan stays mostly in Denmark during mild winters, but migrates southwards in hard winters.

The food of the whooper swan is water plants, grass and winter crops like wheat and rape. 


Thrre swans came flying and landed by the flock.
They had been out on a little study trip I suppose! 







photo 1 March 2014, a field near the village Løve: grethe bachmann

Thursday, February 27, 2014

Spring Signs 2014 and a Tour out.

There are many early signs of spring after this mild month of February.  The marsh harrier has arrived, the white-tailed eagle has started nesting, the skylark is singing, reports have come about the first cranes. There are numbers of snowdrops and eranthis in the garden and the first crocus are on their way up. If the mild weather continues it won't last long before the brimstone butterfly is here. The bumble-bee queen will soon wake up. There is nothing as fine as the sound of the first bumblebee.






G


One of the first signs of spring are the flowers of hazel.









General and usual signs of spring:  


Sweet violet is one of the first flowers in March. The dark violet flower has a wonderful scent and the colour is easy to spot by hedges and glades. It is also called "Mary and the child". If the petals are plucked, a figure is seen, looking like Virgin Mary with Child Jesus.
Lesser celandine is one of our earliest spring plants. The flower has shining yellow petals, and the plant is often called buttercup. Lesser celandine belong to the family Ranunculus like the anemone.
When you see coltsfoot it is a certain sign of spring. Back in school our teacher told us that when we saw the first coltsfoot then it was really spring and we had to bring it to her. Coltsfoot is seen in  road banks, edge of ditches and lakeshores. The leaves have a contour like a little horse hoof.



As soon as the sun brings warmth to a sheltered place, the ant comes out - and the ants clump together upon the anthill. They function like mobile radiators, and they bring warmth down in the hill to the queens.
The brimstone butterfly is another certain sign of spring. The male with the magnificent  lemon-yellow colour is easy to spot in March. The white-yellow female arrives about two weeks later. The brimstone roams far and wide.
The orange-red butterfly, the small tortoiseshell, leaves its overwintering place in April. It is often seen with outspread wings in the warm sun. The small tortoiseshell is Denmark's national butterfly.

In late March and first of April the frog eggs are seen in little lakes and waterholes, the eggs are small transparent lumps with a little black spot in the middle. The frog is fully developed in 85 days, but already after four days it is possible to notice that the black spot has changed.
 
And then there is the sweet little ladybird. We put it on our forefinger and let it crawl up, and we tell this little red thing to fly up to God and ask for good weather - and it flies up!  The ladybird is also very helpful in the garden, fighting the little green mites.

The beautiful sight of the white anemone in the forest floor is magic. The flowers cover the earth before the trees have leaves. This happens in April-May - and when the beech after this beautiful sight shows us another miracle with the new incredible light-green leaves, then it is spring for good.
Nature is magic.




May


photo: grethe bachmann


A short Tour out on 22 February. 

At the end of February 2014 we'll say goodbye to the fifth mildest winter in 140 years.

On Saturday 22 February we went to the east coast of Jutland south of Århus . The weather report had told us that there would be some after effects from the recent storm in the British Isles. The weather was very windy, but also warm and with rainy showers and sunshine, changing all the time. Big black clouds came rushing, followed by rain and  a blue sky.


Here is a little collection of my photos from 22 February: 



Black buzzard
Brown buzzard.



repair after storm in October.