The Skrydstrupgirl /Skrydstruppigen

The Skrydstrupgirl at exhibition, National Museum.

 

 

After being buried in her coffin completely undisturbed in her grave hill for more than 3000 years the grave with the Skrydstrupgirl was found and opened in 1935.

 

The expectations were not great, the hill had been digged earlier, but after some days work it was obvious that this was one of Denmark's most important grave finds from Bronze Age.

 

The Skrydstrupgirl, National Museum.

Skrydstruppigen is a famous Danish grave find from Bronze Age. The Skrydstrupgirl was excavated in 1935 at the village Skrydstrup in South Jutland. She lived in ab. 1300 before our time. She was found in a gravehill by the "Hærvejen" 1 km southwest of the town Vojens. Her oakcoffin was placed upon a bed of stones and covered by a turf hill, measuring 13 meter diameter and 1,75 meter high. Two male persons were in similar coffins at the edge of the gravehill. All was covered by a larger turf hill, measuring 24 meter diameter and 4 m high.

The Cap, National Museum

At her death the girl was only 17 years old. She was buried in an oakcoffin in the middle of the hill, covered by stones. The oakcoffin was almost dissolved. She lay upon a cowskin, and by her head was a cap made in sprangteknik. (a special made cap for women). She rested upon a layer of sorrel and other plants, which tell us that she was buried in summer. She was buried in her dress: a short-sleeved blouse, made by woven wool with embroideries upon the sleeves and around the neck, a long woolen skirt covered her from waist to feet , belt and shoes; fastened to the belt was a decorated horn comb. Her clothes were wool from dark, redbrown sheep. Her only jewelry was large spiral ear rings in 24 karat gold. She had 60 cm long, ashblonde hair, set in a special hairstyle, which she could not have done without assistance. Over the hair was a fine hairnet of horse's hair. The hairstyle was very difficult to wear and much indicates it might have been some kind of burial hair style. She was 170 cm tall which was rather tall in comparison to her contemporaries at that time.

Example of her hairstyle, wikipedia.

When her hair was arranged it was first combed flat back from the forehead, then a valk (a lump of soft material, evt. filled with human hair) was put over the forehead-hair, and the hair was combed forth above a thin layer. The tips of the hair were divided in some little tufts which were braided in front, forming a  braid across the forehead, and all of it was kept on place with  a woolen string. Over the hair was put a fine hairnet, braided by horse's hair in front and back. It was fastened upon an almost 5 m long woolen string.  The string was twined several times around the head, so it was like a headband, and it kept the hairstyle and the hairnet on its place.


The hairstyle and the goldrings, the oak coffin and the gravehill tell us that the Skrydstrupgirl belonged to a socially rich family. Her teeth witness that she from child had nutrient food. This could be a sign of high social status. The people who lived along "Hærvejen",  had the far away trade with the southern countries in Europe, with fur and amber and with bronze and gold.

The cause of her death is not known. The study of the skeleton did not reveal any kind of disease.

Skrydstrupgirl and Egtvedgirl

Her teeth were in good condition; they had a thick layer of enamel and not the slightest sign of caries. Obviously she had not missed anything in her diet during her upbringing. Her dress and her hair also witness about surplus and at the same time a great concern for the diseased. Her high position in society is underlined by the grave form itself , a gravehill of 13 meter diameter and 1,75 in height demanded lots of ressources to build, and the gathering of about 6000 peats was a common task for the local society.



New Knowledge.

Groundbreaking Danish research shows that the distinguished Skrydstrupgirl who was found in a gravehill in South Jutland in 1935 was not born or grew up in Denmark. The news were revealed in the TV- broadcast "Historien om Danmark" in April 2017. A unique recording in the TV-programme shows the moment in the laboratory when the discovery is obvious. The Skrydstrupgirl came from south of Denmark. This is a discovery which will change the understanding of much material from the Bronze Age, said professor Karin Margarita Frei from the National Museum of Copenhagen, who was the in the head of the examination.

It was also a sensation worldwide in 2015 when another grave find from antiquity revealed , that the iconic Egtvedgirl was not from Denmark, but was born and grew up in the southern Germany. This makes the discovery of the same result for the Skrydstrupgirl even more interesting. The result is important, because it shows that the Egtvedgirl was no special case; it seems to be a pattern, which tell us how humans, and in this case women, travelled and moved around in Bronze Age.

Karin M. Frei was also behind the examination of the Egtvedgirl, but contrary to the Egtvedgirl the examination of the Skrydstrupgirl shows all her life from childhood till death. This is the first time this has happened. Contrary to the Egtvedgirl who did travel several times during her life the Skrydstrupgirl was only out on one travel,  the travel from her birthplace to the region at Skrydstrup. The young woman came to the region at Skrydstrup when she was 13-14 years old, until then she had lived in a place many hundred kilometers away from this neigbourhood. She might have lived in the northern part of the Czech Republic, in France or in Mid Germany. After her arrival to Denmark she lived in South Jutland for almost 4 years before she died, ab.17 years old, around 1300 BC. She moved from south to north, possibly to create an alliance between two powerful families by marriage.

The Skrydstrupgirl's hairstyle /wikipedia

In order to map the ways of the Skrydstrupgirl professor Karin Frei has examined a 6-year tooth, a wisdom tooth, an about 50 centimeter long lock of hair  and some bones. Those things tell about food, upbringing  and geographical location through her life. Her grave has told us that she belonged to the elite of the society both before and when she came to Denmark. Her teeth tell us that she from child had nutritious diet,  which can be a sign of high status.

According to professor of archaeology at Gøteborg University , Kristian Kristiansen, the result has a significant importance for our understanding of Bronze Age. The Skrydstrupgirl emphasizes that Bronze Age was a time of globalization. People went from south to north in connection to marriage, and they went on long trade travels. Now there are scientific proofs that this is the case.

It is strange the Egtvedgirl died young too, there are no sign of disease in the bones and no sign of violence. It seems special that she died that young. Examinations shows that the Skrydstrupgirl was healthy, and the scientists have wondered what might have killed her. It was not possible to see from the bones if she had had any children, and if her death might be because of a childbirth. Much indicates that the Skrydstrupgirl migrated to Denmark when she was 13-14 years of age , an age where women were considered ready to marry in Bronze Age. 

 

National Museum exhibition:" Danmarks Oldtid." 

Karin Frei and the National Museum continue mapping other grave finds from Bronze Age. The investigation of the Skrydstrupgirl was only the first in a series. By mapping the origin of several Bronze Age women they hope to achieve a deeper insight in Bronze Age. 

The research project named: Bronzealderkvindens fortællinger. (The tales of the Bronze Age women) has its own web site.

The Skrydstrupgirl from ab. 1300 bc , the Egtvedgirl, who was buried in the summer 1370 BC and the other oakcoffin graves with dresses and jewelry are on the exhibition: "Danmarks Oldtid".

The Skrydstrupgirl's  oakcoffin was almost dissolved, only a small part was preserved around her head. At the exhibition she lies in a coffin from another hill, Mølhøj. At Haderslev Museum is a copy of her dress, and a bronze statue of the Skrydstrupgirl is set up in the town Vojens.

Bronze Age House in Thy, North Jutland (wikipedia) 

The Skrydstrupgirl's House.
During  Bronze Age arose in the region of Vojens a wealth center  ab. 1800-1000 bc. This is seen by the building of a number of grave hills and impressive houses. The Skrydstrupgirl's family was one of the strong parts in the building of this center. This period is often named Denmarks first Golden Age.

Much gold ended as grave equipment in the gravehills.  An important explanation  why a wealth center arose just at this place is the geography of the region. Here lies Hærvejen and it was via this road the precious metal came to the north.

In 1993 gravel was extracted in South Jutland. Museum Sønderjylland  examined the area and found several houses from Bronze Age; especially two houses were interesting.

One house was a more than 50 meter long and 10m broad hall, more than 500 square meter was under roof. It is the largest house from Bronze Age from this period in Scandinavia. The region was an important area with a great activity. The house was divided in three rooms, the living room, the barn, the stable. The dating of the house was 1500-1330 BC. Charred corn (mostly wheat) and mold residues show that the lord of the house both mastered the hard bronze casting and was able to get hold of the coveted metal. 

Another huse was under a small gravehill, the house was 30 m long and a little more than 7 m broad. Rooms were divided like in the big house. The dating of this house was between 1320 and 1220 BC. The house lay here upon the hillside at the same time as the Skrydstrupgirl lived (she was buried in one of the great Bronze Age hills only 600 m southwest of this house). Maybe she lived in this house, if so it might have been her grandfather or great grandfather who built the great hall.



Source: National Museum, Copenhagen; professor Karin M. Fre;  professor Kristian Kristiansen, Gøteborgs Universitet, and wikipedia. 
photo: National Museum and wikipedia. 

The Egtvedgirl / Egtvedpigen

Egtvedpigen is a famous Danish grave-find from Bronze Age and one of the best preserved,especially for her wellkept dress, which brought new knowledge about Denmark's past. She was considered a Danish girl from the beginning, but new knowledge and analyses have shown that she was born and grew up in south western Germany.

Egtvedgirl, National Museum.

yarrow from the hill, july 2010/gb

A Jutland farmer wanted in 1921 to remove the rest of a great hill, named "Storehøj", in his fields to make room for sowing, but while he was digging he hit a two meter long oak coffin. "Storehøj" was at that time outdigged and almost flat , but the wellkept grave with the oak coffin and a young girl's  body was placed in the eastern part of the hill. The coffin was an outhollowed barked oak trunk, one half was the coffin, the other a lid. The oak coffin is dated to year 1370 BC. Everything was found placed in the coffin as it were almost 3500 years ago. The coffin was lined with cow skin and the body of a young girl was placed carefully on the soft skin surrounded by her grave goods and covered with a woolen blanket -  and the coffin was closed . A little yarrow flower was put on the edge of the coffin before the lid was put on. The yarrow reveals that she was buried on a summer's day.

Storhøj in july 2010/gb

The region of Egtved was at that time of Bronze Age a power center in Jutland. Southern Germany and Denmark were two dominating power centers in western Europe. The archaeological material reveals that there are many direct connections between the two regions. One theory is that the Egtvedgirl was a girl from southern Germany who was to marry a powerful chief in Jutland in order to seal an alliance between two strong families. She was buried in a hill of her own, she was a person of high status. On a summer's day in 1370 BC her body was carefully buried in an oak coffin and covered by a grave hill, later named "Storehøj", close to Egtved village west of Vejle city. Her story is a fascinating tale from Bronze Age, and only because of her early death and burial in the grave hill at Egtved we are now able to discover more about the Bronze Age people. 

bronze belt plate(from Langstrup)/ wikipedia

The Egtvedgirl's teeth tell us that she was about 16-18 years old when she died. Although her skin and body parts are gone the find is still exceptional, since her dress and grave goods are very well preserved. She was carefully wrapped in a cow skin and covered by a woolen blanket. Her dress was a short-sleeved blouse, a kneelong cord skirt and a woven belt, mounted with a circular bronze belt plate , decorated with a spiral pattern. The belt plate symbolized the sun, the most important element of the Bronze Age religion. Fastened at her belt was a comb made of horn,  and her feet were wrapped in pieces of cloth. She had a bronze arm ring on borth arms and a fragile ear ring in one ear. A little wooden bowl beside her contained the rests of a fermented fruit drink - some kind of beer - and in a small box made of linden barch were a bradawl and the rests of a hair net. At her feet was a bundle of cloth with the burnt bones of a 5-6 year old child, and at her head a small box of birch-barch bones from the same child.

In the coffin was a wooden bowl, which in the bottom had a layer of thick brown precipitation. When the content was analysed it was obvious that it had contained a fermented drink, probably honey-sweetened beer. The drink was made by lingonberry or cranberry. Besides this were wheatgrains, rests of sweet gale and large amounts of pollen from the lime tree. The Egtvedgirl's brew is now put into production after 3.300 years. 

National Museum /Egtved girl/wikipedia

The grave hill "Storehøj" is reconstructed today, and in attachment is a small museum with permanent exhibitions and alternate activities. The Egtvedgirl is considered one of the best kept Bronze Age finds i Danish history and she is one of the most famous persons from antiquity.  She is today at exhibition at the National Museum in Copenhagen, and she is one of more than 20 Danish grave finds from Bronze Age which is unique worldwide.


New knowledge.

Schwarzwald, wikipedia/gb

The Egtvedgirl was not born in Egtved. She was from the start considered a Danish girl but today we know that she was born and grew up many hundred kilometers from Denmark. Analyses by help of the isotope strontium of her hair, teeth and nails show that she was born and grew up , probably in southwestern Germany -  and that she came to Egtved shortly before her death. The analyses of her hair and a thumb nail show that she travelled back and forth during the two last years of her life. This new knowledge tells us that the Bronze Age people travelled long distances in a relatively short time. The people of Bronze Age lived in a cosmopolitic and dymamic world.

the small museum/wikipedia

belt plate and arm ring/museum/gb

barch box/ july 2010/ museum/gb

The wool from her dress, the blanket and the cow skin come from a region outside Denmark. The wool comes from sheep which grass in various places or in a relatively big area with a complex geology  - and this is found in South West Germany. A combination of various analyses point to that the girl, her dress and the cow skin come from Schwarzwald (800 km south of Egtved). The same goes for the cremated rests of a six year old child, who was buried with her.

medieval market, Egtved july 2010/gb

landscape Egtved, july 2010/gb

The dating of the Egtvedgirl's coffin is a summer's day year 1370 BC. It is possible that the Egtvedgirl left Germany and went to Jutland to marry a great man's son, but after a few months she went back home to fetch a child from her home region, maybe a little brother or little sister who should be fostered in Egtved.  The child got sick and died underway, and the body was burnt, which made it easier to transport. The Egtvedgirl's hair shows that she has either suffered from starvation or been sick on the tour. Maybe she was still sick when she arrived at Egtved where she died shortly after and was buried with the child. She is the only person from Bronze Age, who was buried with the burnt bones from a child. The child was too old to be her own, but it might be her brother or sister whom she brought to Denmark to be fostered by her family in law. The analyses say that the child and the Egtvedgirl came from the same region. 

Theories:

Human sacrifice?
In the grave was a bundle with the burnt bones of a 5-6 year old child. The child was too old to be the girl's own child.  Maybe it was her little brother or sister or maybe a child who was sacrificed. From another woman grave in Bronze Age from the southern part of Jutland  is known a possible human sacrifice. The grave was examinated in the 1980s. Here was the body of a woman with a very rich grave equipment. At her feet were the burnt bones from a grown human, maybe her personal slave who was killed and burnt when she died? Possible human sacrifices are known from some contemporary graves in Bronze Age.

Dance rituals?
The Egtvedgirl was dressed in a significant cord skirt which reached her knees, it was wrapped twice around her waist and was about 38 cm long. That kind of skirt was used through Bronze Age. Some small women figures in bronze, found at Zealand, are also dressed in cord skirts. It has been suggested that the figures depict rituals which was made at the cult-feasts. Maybe women dressed in cord skirts danced ritual dances, and maybe the Egtvedgirl took part in these dance rituals.

Storhøj july 2010/gb

 

Source:  Det Natur og Biovidenskabelige fakultet, Københavns Universitet. .

professor Karin Margarita Frei,  Københavns Universitet
professor Kristian Kristiansen, Gøteborg Universitet. 

photo: wikipedia
photo: grethe bachmann, july 2010.

The Sun always shines above the Clouds..............

Sunset, Gilleleje, Zealand

It is late November - and it is soon midwinter, the sun sets early in the afternoon. The earth in my garden is wet, wet, wet -  and the sun has no power in the short time it shows its face during the day hours. But from December 21 at winter solstice the sun will slowly return to its usual power in spring and summertime. And then we can sing "Here comes the sun......"




                                                                                
We do not worship and sacrifice to the sun like the ancient people did. The sun's power over mankind was always great, especially in the countries to the North, where the sun at midwinter is like a far disc,  pale, golden and cold as the moon  -   and in some places like in The Land of the Midnight Sun it disappears for a period. No wonder the ancient people tried to recreate the sun above the southern horizon, the warmth  had to come back to bring life over nature after a dark winter -  and when the sun appeared again, its return was celebrated with cheers throughout the settlements.

Trundholm Sun Chariot

Petroglyphs with sun sign

During Stone Age and Bronze Age the sun was one of the lifegiving powers which people feared the most, but it was also the power which was mostly worshipped. It was the first of the heavenly powers which was brought to the North with the first farmers and cattle breeders about 5000 years ago. When the sun chariot from Trundholm was found,  it was a proof that the sun was worshipped in ancient times. The sun chariot was the costiest thing people had, with a golden disc and a magnificent horse, and they always sacrificed their most valuable item to the sun god.

The horse was in Bronze Age a sacred animal, it was only used in religious celebrations, stallion fights and in the first sacred ploughing of the New Year. The chariot and the horse is an unambiguously witness that the sun was worshipped in early Bronze Age - or else the sun is in ancient times most often reproduced by a sign: a wheel cross, a circle, a spiral or a fully carved disc which is seen on some petroglyphs. It is known that in the near Orient and in North India the wheel was in ancient times a commonly used image of the sun. The circle or the ring is the simplest reproduction of the sun, and together with the spiral those signs decorated the disc of the Trundholm chariot.

Midsummer celebration, Sweden, 1969.

Although people was still worshipping the sun it lost some prominence during Bronze Age. The sign of the sun did not disappear. through the times and up till present, it was still there, seen mostly as a wheel with four or more spokes . A weak reflection has been kept in the sundance on Pentecost morning . Especially in spring and midsummer many places in the North and bordering areas to the south continued the fertility-belief, which was linked to the sun and the power of the sun. They rolled burning wheels and discs down over hillsides or threw them up in the air. A sign of the sun like plaited wreaths are still put on new buildings as a celebration or at a midsummer pole -  and no one wonder why or know that this is a continuation of a fertility cult.

Sami family in spring celebration.

A special source of information about the sun cult from Prehistoric time is probably the Sami people's worshipping of gods, which continued up till the 17th  and 18th  century. It was written down by officious Swedish priests and Norwegian missionaries,  who fought a destruction-war against this worshipping. This part of the Sami religion might be due to the contact they had with the Norse people in a very distant period.
 When the Sames got lost in the mountains because of bad weather and fog, they placed as a sacrifice to the sun a holed wooden disc : a wheel. On Christmas morning they saluted the sun and drank its tribute and took omens about good or bad luck in the year to come from the sunshine upon a brass ring in water. After the homecoming they drank a tribute to the fertility gods and brought sacrifices to the sun, the bones of the sacrificed animals were placed in a circle upon a sacred table - or meat hung up in a circle-bend wicker twig. The sun would then recognize its sacrifice through the sun signs. At midsummer wreaths of leaves and grass were hung up in honour of the sun.

Swedish Christmas cakes 16th century.

A link between midwinter's solstice, old ancient sun-belief  and the fertility of the next year,  were up till present time kept in the Swedish Christmas bread,which was decorated with the signs of the sun, the wheel and the spiral. The Christmas bread was stored in winter - and in spring it was crumbled and given in small bites to both humans and animals in the farm on the first day of the spring-sowing in order to secure a good harvest.
.









Archaeological magazine SKALK nr. 4, 1961: P.V.Glob, "Solens Tegn".
photo Gilleleje: grethe bachmann
other photos: wikipedia. 

The Trundholm Sun Chariot/ Solvognen - Bronze Age

front side with gilding

The sun chariot (the Trundholm Sun Chariot)  is a Danish national treasure and a uniqe find from Bronze Age made in bronze and gold. The sun chariot is a horse drawing a sun disk. The horse and the disk stand upon the rests of six wheels  - and both horse and disk have eyelets in order to fasten the strings. The sun disk is coated with gold in fine patterns and circular motifs.

landmark/Odsherred municipality

The sculpture was found on 7th September 1902 in Trundholm Mose (a peat bog) in the northwestern part of Zealand in the region Odsherred in connection to the first ploughing of the moor. The finder Frederik Willumsen brought his discovery back home and let his son play with the horse, he thought  it was just an old piece of toy. The sun chariot had however already been damaged once in Bronze Age when it was placed in the moor as a sacrifice to the gods. A metal detector revealed in 1998 new fragments of the six wheels in the same spot. The sculpture is dated by the Nationalmuseet to about 1800 to 1600 BCE though other dates have been suggested. Unfortunately the chariot was found before pollen-dating was developed, which would have enabled a more confident dating. The sun chariot is now in the collection of the National Museum of Denmark in Copenhagen. 

backside with no gilding

The disk has a diameter of approximately 25 cm (9.8 inches). It is gilded on one side only, the right-hand side (when looking in the direction of the horse). It consists of two bronze disks that are joined by an outer bronze ring, with a thin sheet of gold applied to one face. The disks were then decorated with punches and gravers with zones of motifs of concentric circles, with bands of zig-zag decoration between borders. The gold side has an extra outer zone which may represent rays, and also a zone with concentric circles linked by looping bands that "instead of flowing in one direction, progress like the steps of the dance, twice forward and once back". The main features of the horse are also highly decorated

The gilded sun disk is placed upon the sun chariot and the chariot noves from left to right towards the sun during the day The opposite side of the chariot lacks the gilding on the sun disk -  this is the darkened sun at night on its way back from right to left to its starting point at sun rise, so the sun chariot illustrates with the two different sides the movement of the sun during day and night.

A Sun Horse in Mindeparken in Aarhus /photo gb.

People in Bronze Age did not believe in human gods as is known from the Viking period. They worshipped powers which preserved nature, powers which arranged for the rebirth of the day each morning and the rebirth of the planets each spring. They worshipped the sun as a divine power. The sun gave life and light at day, made the plants grow and the corn ripen in the summertime. It was necessary that the sun's travel across the sky continued day after day and year after year. The sun chariot was an image of this travel -  and it is possible that the priests of Bronze Age used it in religious feasts to show how the horse was drawing the sun across the sky.

The sun chariot is a witness of the religion of Bronze Age. The sun was center of the religion. People  in Bronze Age imagined that the sun was being drawn across the sky in the daytime. In the morning a fish brought the sun to a ship which carried the sun until noon. The sun horse took over and brought the sun to the afternoon ship. At evening a snake brought the sun back to the underworld which lay below the flat earth. Down here the sun was dark and it was by night ships brought back to the starting point in the morning where the fish once again took over. Thus the cycle of the day was kept for all eternity by the helpers of the sun - the fish, the horse the snake and the ships.

petroglyphs/ Grevinge

The conceptual world of the sun chariot is supported by several petroglyphs and decorations upon razors, upon jewelry, weapon and tools.Both in the petroglyphs and on the razors the horse is drawing the sun in a string, the wheels on the Danish sun chariot do actually not belong to the story. The wheels were added so the sun disk and the horse in ritual ceremonies could be drawn forth and back to make an image of the solar motion. By examining over 400 bronze artifacts the Danish archaeologist Flemming Kaul found out that the figures show the Bronze Age man's experience of the eternal travel of the sun.  All these figures and creatures were not only found in the Danish Bronze Age but were also a part of the religion of Egypt and large parts of Europe at that time. In Denmark the Bronze Age people had contacts to people far away -  they exchanged wares and got the popular bronze in return for amber and fur.

Sól and Mani, drawing by Lorenz Frølich 1895

Norse mythology. 

Despite the enormous gap in time, between varying sources, particularly Norse mythology, known from 13th AD century sources, the distinct reference of the sun being drawn by chariot is found in Norse mythology. Many attest that the Norse myths were preserved orally for an unverifiable time period before being written down, similar to the Vedic texts. In Norse mythology, Sól is the personified goddess of the Sun, the corresponding Old English name is Siȝel, continuing reconstructed Proto-Germanic Sôwilô or Saewelô. The Old High German Sun goddess is Sunna.. Every day, Sól rode through the sky on her chariot, pulled by the two horses Arvak and Alsvid. The sun chariot has been interpreted as representing a Bronze Age predecessor to the goddess. The chariot has also been interpreted as a possible Bronze Age predecessor to Skinfaxi,   the horse that pulled Dagr, the personification of day, across the sky.






Source,   Gyldendals og Politikens Danmarkshistorie, bd. 1, "I Begyndelsen";
samt Wikipedia dansk og engelsk og Nationalmuseet, København.     


photo fra Wikipedia, Wikimedia,
photo Solhesten, Mindeparken, Aarhus: grethe bachmann          

BOATS OF GOLD

From a burial mound in Thy in North Jutland is an unusual find: a clay vessel with 100 little gold boats. Every boat is built by leaves of gold foil around cross ribs of bronze bands. The boats are between 10 -17 cm long, and they have by form and construction a strong resemblance to the stretched dugouts , which are known from Slusegård. Their age is uncertain - they are dated to as well late Bronze Age as to Iron Age. From the form and from the simple decoration - and regarding the riches of gold i late Roman period and early Germanic Iron Age - then the fourth or fifth century A.D seems to be the most probable dating, and then they are a fine illustration of the Iron Age's little dugouts. 95 boats are at the National Museum, and five have been returned to Thisted Museum in Thy.




The story behind the find:
A little more than 100 years ago the small village Nors in Thy became wellknown throughtout the country, caused by the find of 100 gold boats. It started on Tuesday 12. May 1885, when the farmers Hans Jensen from Thisted Mark and Jens Lukassen from Brund were digging grovel at Thorshøj. (burial mound). Close east of the hill they had opened a new hole in the slope, when the mattock hit the bottom of a large clay vessel just below the surface, and the contents of the vessel came rattling down over the surprised finders. Lots of small boats in gold sheet sailed down the slope. Both men knew at once that this was really something special. Each piece was carefully gathered and put into their lunch box (old-fashioned wooden box, named a tejne) - and with this they went to the nearby city Thisted and presented their find to the local authorities, which sent the unusual find to Oldnordisk Museum in Copenhagen (which later became the National Museum) with a description of the happening and a request that the finders would be paid the value of the find - and if they kept the lunch box in Copenhagen the farmers also wanted to have the value of this, ( 80 øre = 4/5 of a krone). The finders got the gold value 480 Danish kroner and a reward of 20 kroner plus the 80 øre for the lunch box.
Only 14 days later the same two men found in the same place a large heavy gold ring with a weight of 400 gram. This was also sent to Oldnordisk Museum, and the finders got over 900 kroner. At that time an average hourly wage was 20 øre (1/5 krone). So first 480 kroner and then over 900 kroner. A lot of money - and although they had to share, the money meant a turning point in their life.
To deliver the gold boats as Danefæ belongs to an old practice. The rules about Danefæ are some of the earliest legal provisions in Europe, which are still used - they go back to Jyske Lov of 1241. (Valdemar II Sejr). Back then as today it is the basis that find of gold and silver (with no owner) belonged to the king (today to the State) - should be handed over for a remuneration , which is the metal value of the find and a reward , dependent on the rarity of the find and the finder's taken care of the things. Today the Danefæ-rules are extended - i.e. rare ancient things in other material than gold and silver might be declared Danefæ.

Source: Gyldendals Danmarkshistorie, Danernes Land, 200 F.KR til 700 ; Bredal Geocaching.



photo Thisted Museum 2006: grethe bachmann

Kalø Castle Ruin and Mols Bjerge , 13. March 2010

Kalø Castle ruin in winter. A fortificated castle lay here about 700 years ago. King Erik Menved built three fortificated castles in 1314 as a protection against the rebellious Jutland peasants. This first Kalø was broken down not long after the building. Christoffer II had to sign a coronation charter in 1320 in Viborg, before he became king, which meant that he had to break down king Erik Menved's castles. The rest of the large castle plan, known from the excavations of the National Museum, are ascribed to Valdemar Atterdag. In 1518 Gustav Eriksson Vasa was imprisoned here, but he escaped back home to Sweden in 1519. Kalø fell into decay, and in 1672 the castle was broken down and almost every usable stone was sailed to Copenhagen, where Frederik III's son, Ulrik Frederik Gyldenløve built a palace , the present Charlottenborg.
Kalø ruin at the castle island and a large area of the neighbourhood is listed.


The medieval pavement leading to the island and Kalø is a good footpath , also when the surrounding area is in a bad state caused by snow and ice.


From Kalø was that day a view across a sheet of ice. No birds.


Mols is a lovely place to take a drive. So many places at Mols have a great view over a hilly landscape with farms and houses. Here is a view across the bay to the city Århus (in the middle Studstrupværket).



”Stabelhøje” a little north of the village Agri in Mols Bjerge are some of the prettiest hills from Bronze Age in Denmark. The place is worth a visit each season. Here the hills seen from the "shadow-side" with a pretty little timber framed farm at the foot of the hills.


A drive down among the hills and a view to the bay (Knebelvig) - in the middle of the photo to the left is the Poskær Stenhus.


Poskær Stenhus looks a little gloomy on a grey afternoon. It is Denmark's largest round dolmen, and it is from ab. 3.300 B.C.


Opposite the dolmen Poskær Stenhus is a small tree upon a hill. It has been the same size for many years, but it has survived in spite of wind and weather. Survival of the fittest.


There was still much ice by the village Knebel and the fishing harbour. Some swans stayed there. It has been a tough winter for the swans and many other birds this year.

Kalø and Mols 13. March 2010: grethe bachmann

Borremose Fortification, Himmerland

Was it a Center of the Cimbrers?


In Borremose in Himmerland was in Celtic Iron Age a village surrounded by banks and moat. A 70 m long and 3 m broad paved road led from the moor through the village. The latest examinations have showed that the village and the bank were built in the same period ab. 300 BC. There were about 50 small houses, but only 10-12 were contemporary. This is the same size village, which is known from other places with ab. 100 residents. The village was used in 2-300 years, and during that time the city-plan was changed, the village street is the last phase.


Iron Age House, reconstruction, Moesgård Museum, Århus.

The swamp was first formed after the village was built. The question is, why they built a village out here, quite different from other villages. It has been suggested that the fortification was symbolic (the bank was no more than 1,5 m high) - that the bank might have fenced the central village of the Cimbrers, their administrative and religious center. The village was burnt down, and the moat was filled back. This indicates that this was not an ordinary village. In this connectiont is is interesting that from the same time only 3 km north of the village were found 3 bog mummies and 2 magnificent kettles, the Mosbæk-kettle and the famous Gundestrup-kettle.


Borremose, pretty Jersey cows and apple blossoms

In the moor are found numerous clay-vessel sacrifices and the leather for an oblong shield from Celtic Iron Age. Vesthimmerlands Museum, Års has a fine collection of textiles also from other moors and from a moor between Års and Ålestrup origin the famous Vesteris-leather bag, dated to Celtic Iron Age.


Borremose

The earliest known of the bog mummies is a Bronze Age woman found in Borremose in Himmerland. She was 20-35 years of age and rather fat. She lay flat on her stomach in the moor, naked, but covered with a woolen skirt. Cause of death is not known, but her face had been crushed by a terrible blow from a wooden club. She had died in the 8th century BC.

Blanket from bog mummy in Borremose

Bog mummies (also photo of the Borremose woman)

Source: Ingrid Falktoft Andersen, Vejviser til Danmarks Oldtid, 1994.

photo Borremose: grethe bachmann